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by **aaron158** on Sun Sep 17, 2006 3:13 am

When plans to launch a second Star Trek television series in the late 1970s were scrapped by Paramount Pictures, the show's creator, Gene Roddenberry, instead transformed the aborted program's 2-hour pilot into this big budget theatrical feature. Five years after the legendary voyages of the starship Enterprise, James T. Kirk (William Shatner) is an unhappy, desk-bound admiral at Starfleet headquarters. Kirk goes aboard his old vessel to observe its re-launch under new captain Will Decker (Stephen Collins). Soon, however, an escalating crisis causes Kirk to take command of his old ship. A mysterious, planet-sized energy force of enormous power is headed for Earth. Reunited with Spock (Leonard Nimoy), Dr. Leonard "Bones" McCoy (DeForest Kelley), and the rest of his former colleagues, Kirk takes the Enterprise inside the massive energy cloud and discovers that it is the long-lost NASA space probe Voyager. Now a sentient being after accumulating centuries of knowledge in its deep space travels, the alien, which calls itself V'ger, has come home seeking its creator. Although not a critical home run, box office receipts for Star Trek: The Motion Picture (1979) were strong enough to inspire a revamped television series and a long-running line of theatrical sequels.

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by **aaron158** on Sun Sep 17, 2006 3:18 am

Although Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed.

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by **aaron158** on Sun Sep 17, 2006 3:24 am

You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV.

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by **aaron158** on Sun Sep 17, 2006 3:31 am

Widely considered the best movie in the "classic Trek" series of feature films, Star Trek IV returns to one of the favorite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to peacefully communicate with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with humor and lively interaction among the favorite Star Trek characters. Catherine Hicks (from TV's 7th Heaven) plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. With ample comedy taken from the clash of future heroes with 20th-century urban realities, Star Trek IV was a box-office smash, satisfying mainstream audiences and hardcore Trek fans alike.

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by **aaron158** on Sun Sep 17, 2006 3:38 am

Movie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer.

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by **aaron158** on Sun Sep 17, 2006 3:44 am

Star Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations.

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by **aaron158** on Sun Sep 17, 2006 3:51 am

There were only two ways for "classic Trek" cast members to appear in a movie with the cast of Star Trek: The Next Generation: either Capt. Kirk and his contemporaries would have to be very, very old, or there would be some time travel involved in the plot. Since geriatric heroes aren't very exciting (despite a welcomed cameo appearance by the aged Dr. McCoy), Star Trek: Generations unites Capt. Kirk (William Shatner) and Capt. Jean-Luc Picard (Patrick Stewart) in a time-jumping race to stop a madman's quest for heavenly contentment. When a mysterious energy coil called the Nexus nearly destroys the newly christened U.S.S. Enterprise-B, the just-retired Capt. Kirk is lost and presumed dead. But he's actually been happily trapped in the timeless purgatory of the Nexus--an idyllic state of being described by the mystical Guinan (Whoopi Goldberg) as "pure joy." Picard must convince Kirk to leave this artificial comfort zone and confront Dr. Soran (Malcolm McDowell), the madman who will threaten billions of lives to be reunited with the addictive pleasure of the Nexus. With subplots involving the android Data's unpredictable "emotion chip" and the spectacular crash-landing of the starship Enterprise, this crossover movie not only satisfied Trek fans, but it also gave them something they'd never had to confront before: the heroic and truly final death of a beloved Star Trek character. Passing the torch to the Next Generation with dignity and entertaining adventure, the movie isn't going to please everyone with its somewhat hokey plot, but it still ranks as a worthy big-screen launch for Picard and his stalwart crew.

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by **aaron158** on Sun Sep 17, 2006 3:58 am

The best of the first three big-screen productions to feature the cast of Star Trek: The Next Generation, this eighth film in the long-running Paramount Pictures cash cow thankfully ups the action quotient. Every familiar character in the film from Picard (Patrick Stewart) to Data (Brent Spiner) has received a welcome double dose of testosterone and adrenaline. Screenwriters Ronald D. Moore and Brannon Braga have also deftly worked the series' most fearsome villains, the Borg, into a plot line that revisits the science fiction franchise's canonical roots. At the same time, the filmmakers offer up just the slightest whiff of sexuality in the relationships of Data with the Borg Queen and Picard with space greenhorn Lily (Alfre Woodard). The regular cast members are comfortable and solid in their recurring roles, while getting able support from character actors Woodard, James Cromwell and a riveting, scenery-munching Alice Krige as the Borg Queen. There's a lot going on here with a story involving time travel, cyborg villains, and the invention of interstellar space flight, but the pace buzzes along at a rapid clip and the action is handled with sure-footed aplomb by first-time director Jonathan Frakes. His familiarity with his co-stars and their roles proves just as valuable an asset as did Leonard Nimoy's in Star Trek IV: The Voyage Home (1986). Only a few entries in the ever-growing Star Trek feature library are outright duds, but the rest can admittedly be divided up into those that will appeal to hardcore fans only and those that will be appreciated by anybody who likes a ripping yarn. Star Trek: First Contact (1996) is the first Next Generation picture to fall into the latter category.

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by **aaron158** on Sun Sep 17, 2006 4:07 am

Star Trek: Insurrection is the most complex and ambitious feature film in the entire Star Trek franchise. It doesn't always succeed, but it goes where no part of the franchise ever went before. The plot is filled with elements that refer clearly to events in the real world of the 1990s and beyond. The Federation, going into an alliance with a rogue planet, is prepared to violate the precepts upon which it was founded, ostensibly for the greater good of all; in the process, Captain Picard and his crew discover that, beyond the dubious morality and legality of the Federation's actions, there is also a blood feud being given new life with Star Fleet's help, and they decide to make this known to the public, risking their lives in the process. The treatment of the Ba'Ku by the Federation recalls the history of the United States and Native Americans, but the notion of nations compromising their ideals resounds all the way from Vietnam to recent events in the Middle East and Eastern Europe. The entire movie is a cautionary allegory about the care that empires must take in choosing their allegiances, and the harm that they can do when making deals with the devil, all in the name of the "greater good." The action and plot may seem small scale by the standards of the best Star Trek movies, but by its nature the script is very bold, dealing with moral questions that the earlier entries (except for The Undiscovered Country) usually didn't embrace. Even during the 1960s, when the original series was trying for topicality on a weekly basis, the show almost never used scripts that brought into question much of American history or current foreign policy in the way that Star Trek: Insurrection does. The movie's only flaw lies in the level of sophistication of the writing -- the authors were so subtle, that the topical nature of the plot eluded most critics and audience members. In fact, if one looks closely at the movie, it seems almost subversive, and it's all the more rewarding for this quality.

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GSpot v2.70a avi file details:
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by **aaron158** on Sun Sep 17, 2006 4:15 am

The sacrifice of a beloved character is just one of many highlights in Nemesis, the 10th feature in the lucrative Star Trek franchise. Enigmatically billed as the beginning of "A Generation's Final Journey," this richly plotted Next Generation adventure maintains the "even number rule" regarding Trek's feature quality, and it's one of the best in the series. It hits its brisk stride when Picard (Patrick Stewart) and his Enterprise-E crew encounter Shinzon (Tom Hardy), a younger clone of Picard, rejected by the Romulans as the human weapon of an abandoned conspiracy. Raised on the nocturnal Romulan sister planet Remus, Shinzon now plots revenge against Romulus and Earth but needs Picard's blood to carry out his scheme. A wedding, a childlike "duplicate" Data named B-4 (Brent Spiner), spectacular space battles, and uncommon acts of valor make this a tautly-paced action thriller, poised to pass the franchise (but not quite yet) to a new generation of Starfleet personnel. Die-hard Trekkers will not be disappointed.

GSpot v2.70a avi file details:
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Language.....: English

GSpot v2.70a avi file details:
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Filename.........: Star.Trek.10.Nemesis.2002.DVDRip.Xvid.AC3.CD2.Setarcos.avi
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by **aaron158** on Sun Sep 17, 2006 4:20 am

Links to the tv series:

Star Trek TOS: viewtopic.php?t=8996&highlight=star+trek

Star Trek TAS: viewtopic.php?t=12773&highlight=star+trek

Star Trek TNG: viewtopic.php?t=13120&highlight=star+trek

Star Trek DS9: viewtopic.php?t=9112&highlight=star+trek

Star Trek VOY: viewtopic.php?t=7704&highlight=star+trek

by **Sidewinder_UK** on Sun Sep 17, 2006 8:40 pm

Thank you very much for these mate. Well good movies.

by **Registered** on Mon Sep 18, 2006 1:59 am

shame you couldn't of captured the directors commentary, i have been looking for these for ages, if you could i would bow at your feet if you could kindly supply the directors commentary in cbr format so i could multiplex them into my box set i have, but my box set had only had 3 special editions, and the rest was just normal editions.

by **aaron158** on Mon Sep 18, 2006 3:08 am

the only star trek moive that has the commentary on emule is wrath of khan. if i had the dvds it would be be simple to get them for u but i don't

by **Dark_lord** on Mon Sep 18, 2006 3:27 am

Nice post, just one question, subs waht linguages ? Thks

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Star Trek Moive Collection 1-10 (1979-2002)

Star Trek Moive Collection 1-10 (1979-2002)

Star Trek II: The Wrath of Khan (1982)

Star Trek III: The Search for Spock (1984)

Star Trek IV: The Voyage Home (1986)

Star Trek V: The Final Frontier (1989)

Star Trek VI: The Undiscovered Country

Star Trek: Generations (1994)

Star Trek: First Contact (1996)

Star Trek: Insurrection (1998)

Star Trek: Nemesis (2002)

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